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Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Console
Product #34769 | SKU GLD2-112
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Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Console

Product #34769 | SKU GLD2-112
In stock Ships today
SALE
Allen & Heath


Product Features
  • Allen & Heath AR2412 24x12 Main Remote Stage Rack for GLD & Qu Mixers (Black)
  • Scalable I/O via Remote Module Options
  • GLD Remote App for iPad Wireless Mixing
  • Automatic Mic Mixer Up to 44 Sources
  • 6 Compressor Models On All Channels
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Product Details
  • Product: #34769
  • SKU: GLD2-112
$8,849.00
Sale Price $8,149.00
- +
or 12 months interest free with

Delivery - $32.00*
Ships today
Pickup AUCKLAND
2 - 3 working days
Pickup WELLINGTON
1 - 2 working days
*estimated shipping to Auckland

Overview

The Allen & Heath GLD-112 Chrome Edition is a compact digital mixing surface that is designed to integrate into a GLD digital mixing system, which provides scalable I/O, integrated FX processing, advanced routing, wireless remote mixing via iPad, and much more. Successor to the GLD-112, this version features all of the same functionality of the original, while adding sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels. Featuring local I/O comprised of 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats, the GLD-112 Chrome Edition is designed to connect to a range of optional remote I/O racks via Cat5, allowing you to build 28, 36 or 44 mic input systems. The console is ideal for tour sound, and for permanent sound reinforcement installations.

The GLD-112 Chrome Edition mixer provides 48 input processing channels, 8 stereo FX engines, 30 configurable buses, 20 mix processing channels, and enough DSP power to provide processing without compromise. It has an analogue-style channel processing control section, complemented by a graphical 8.4" touchscreen. A fully customisable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised faders, a channel LCD display which can be named and colour coded, plus a rotary control for direct access to gain, pan, and aux/FX sends.

Key Features

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 48 mics
  • Remote wireless iPad mixing via free GLD Remote app
  • Easy to use, quick to access, analogue-style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 28 faders, 4 layers, 112 channel strips in a freely customisable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • Aviom Pro16 compatible Monitor port on main AudioRack
  • High end 1 dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get your mix started quickly with Template Shows
  • 14 assignable SoftKeys for scene recall, DCA mutes and more
  • Automatic Mic Mixer with up to 44 microphone sources
  • Embedded plugins including GEQ and compressor models
  • Scene Filters, crossfades and automated recalls
  • Password protectable user profiles

Remote I/O Module Options
The GLD-112 Chrome Edition connects to a range of plug 'n play I/O racks to 'build' 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m Cat5 runs using A&H's dSNAKE protocol. Or, the AB168 portable AudioRack can be used, providing 16 XLR inputs and 8 XLR outputs when connected to the GLD-80, or the AR2412 AudioRack. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems

Flexible Record and Playback Options
GLD-112 Chrome Edition has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath's ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using the GLD system's extensive soft-patching

Six Compressor Models on Each Channel
The mixer offers 6 compressor models, all freely available on all input and mix channels. The models capture the audio nuances and non-linear ballistics of industry classics, ranging from slow-opto release, RMS detection, punchy attack, through to super-fast peak compression/limiting. All models also encompass additional essential features, parallel path mode for convenient wet/dry compression balancing, comprehensive side-chain filter and gain reduction histogram

Automatic Mic Mixer
Automatic mic mixer (AMM) features make the console ideal for mixing conferences, panel talks and TV shows. The AMM can be configured to work across 44 microphone sources, allowing the user to select which inputs should be auto-mixed without the usual restrictions of a 16 channel insert based system. The AMM can be set to work in two modes - 'D-Classic' dynamic gain sharing for a simple quick set-up, and 'Number of Open Microphones' (NOM) logic gate technology for a more flexible and sophisticated auto mix

8 Stereo RackExtra FX Engines
The GLD-112 Chrome Edition boasts 8 stereo RackExtra FX engines with dedicated channels to handle them all without compromise. These feature top-quality emulations and developments of popular industry classics. The engines provide very low latency and instant access to all 8 effects at all times. No need for licences or complex configuration. Any combination of up to 8 FX devices can be loaded. A back panel allows patching as mix send/returns or as inserts into specific channels. A front-panel view presents a familiar classic knob layout where the user can adjust the many parameters, select from numerous presets and create new ones, and transfer them between systems using a USB key. FX can be returned via input channels or dedicated short returns with 4-band PEQ

Specifications

Inputs
Mic/Line Inputs Balanced, (All XLR)
Mic/Line Preamp: Fully recallable
Input Sensitivity: ‐60 to +15 dBu
Analogue Gain: +5 to +60 dB, 1 dB steps
Pad: ‐20 dB
Maximum Input Level: +32 dBu
Input Impedance: >4 kOhms (pad out), >10 kOhms (pad in)
Mic/Line Channel Noise 20 Hz - 20 kHz, Direct Out @ unbalanced out
Mic EIN: ‐127 dB with 150 ohm source
Unity Gain (Pad In): ‐90 dBu
Low Gain (5 dB, Pad Out): ‐93 dBu
Mid Gain (30 dB, Pad Out): ‐89 dBu
Mic/Line Channel THD+N 20 Hz - 20 kHz, Direct Out @ unbalanced out,
Unity Gain (Pad In): 0.005% ‐86 dBu @ 1 kHz, 0 dBu output
Low Gain (5 dB, Pad Out): 0.003% ‐89 dBu @ 1 kHz, 0 dBu output
Mid Gain (30 dB, Pad Out): 0.004% ‐88 dBu @ 1 kHz, 0 dBu output
RCA RCA Line Inputs: Unbalanced
Input Sensitivity: ‐24 to +24 dBu, nominal 0 dBu
Trim: +/‐24 dB, recallable
Maximum Input Level: +18 dBu
Input Impedance: >10 kOhms
RCA Channel Noise: ‐92 dBu 20 Hz - 20 kHz
RCA Channel THD+N: 0.0035% ‐90 dBu @ 1 kHz, 0 dBu output
Outputs
Audio Out (XLR) XLR Outputs: Balanced, Relay protected
Output Impedance: <75 ohms
Nominal Output: +4 dBu = 0 dB metre reading
Maximum Output Level: +22 dBu
Residual Output Noise: ‐91 dBu (muted, 20 Hz - 20 kHz)
Audio Outputs (RCA) RCA Line Outputs: Balanced, Relay protected
Output Impedance: <75 ohms
Nominal Output: 0 dBu = 0 dB metre reading
Maximum Output Level: +18 dBu
Residual Output Noise: ‐94 dBu (muted, 20 Hz - 20 kHz)
Digital Outputs 48 kHz sampling rate
SPDIF: RCA, 600 mV, coax terminated input 75 ohms
AES3 2 Ch XLR Output: XLR, 2.5 Vpp balanced terminated 110 ohms
System
Measurement Conditions Measured balanced XLR in to XLR out, 20 Hz - 20 kHz, minimum gain, pad out
Dynamic Range 112 dB
Signal to Noise Ratio ‐90 dB
Frequency Response 0 / ‐0.25 dB @ 20 Hz, 0/‐0.5 dB @ 20 kHz
THD+N System Peak Level THD+N: 0.0055% ‐68 dBu @ +17 dBu output, 1 kHz
System Line level THD+ N: 0.0022%, ‐84 dBu @ +9 dBu output, 1 kHz
Headroom +18 dB
Operating Level 0 dBu, internal
dBFS Alignment +18 dBu = 0 dBFS (+22 dBu at XLR output)
Metering Metre Calibration: 0 dB metre = ‐18 dBFS (+4 dBu at XLR out)
Metre Peak indication: ‐3 dBFS (+19 dBu at XLR out)
Metre Type: Fast (peak) response
Sampling Rate 48 kHz +/‐100 PPM
ADC 24-bit Delta-Sigma
DAC 24-bit Delta-Sigma
Latency 1.49 ms (local XLR in to XLR out)
0.68 ms (local XLR in to digital out)
USB USB Playback: 2 channel, WAV, FLAC 44.1 / 48 kHz
USB Record: 2 channel, 48 kHz / 16-bit - WAV
I/O Port 64 channel bi-directional
I/O Card A&H ACE, MADI, Dante, ES, Waves, MMO (optional)
Operating Temperature 0 to 35°C
Mains Power 100 ‐ 240 VAC, 50 / 60 Hz, 110 W max
Mix Processing
Channels 20 Mix Channels: Configure as mono/stereo Groups, Aux, Main, Matrix; Mains = None, LR, LCR. LR+M(bus), LR+M(sum)
External Input Assignable source
Trim +/‐24 dB digital trim
Polarity Normal/reverse
Insert Assign to any sockets, in/out, +4 dBu/‐10 dBV level
Delay Up to 170 ms, Bypass switch
Mix global setting ‐ ms, feet, metres, samples
Graphic AEQ Type: Constant 1/3 octave, 28 bands 31 Hz - 16 kHz
Gain: +/‐12 dB
GEQ Fader Flip Mode: 2 overlapping frequency banks on strip faders, SEL key resets frequency band to 0 dB, RTA following PAFL is displayed on strip metres
Parametric Equaliser Type: 4-Band fully parametric, +/‐15 dB
Frequency Range: Global setting for Mixes = 20 Hz - 20 kHz or 'Analogue'
Analogue Ranges: 20 - 200 Hz, 35 Hz - 1 kHz, 500 Hz - 15 kHz, 2 - 20 kHz

Band 1: Selectable LF Shelving, Bell, Hi‐Pass
Band 2: Bell
Band 3: Bell
Band 4: Selectable HF Shelving, Bell, Lo-Pass
Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave
Shelving Type: Classic Baxandall
Hi‐Pass, Lo‐Pass Filter: 12 dB/octave
Compressor Sidechain: Self key, In/Out, Sel 'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz - 5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz - 20 kHz
Threshold: ‐46 to 18 dBu
Ratio: 1:1 to infinity
Attack: 300 us - 300 ms
Release: 100 ms - 2s
Knee: Soft/Hard
Manual Types: Peak Manual, RMS Manual
Auto Types: VocalAuto, OptoAuto, PunchBag, filter in/out with sel 'listen'
Talkback Assignable source,
Mode: Latched/Momentary, PAFL Dim option
High Pass Filter: 12 dB/octave, 20 Hz - 2 kHz
Routing: To Groups, Aux, Main, Matrix
Level Trim: +/‐24 dB
Signal Generator Sinae, White Noise, Pink Noise, Bandpass Noise,
Sinae, Bandpass sweep 20 Hz - 20 kHz
Controls Level, Mute
Routing To Groups, Aux, Main, Matrix
RTA 31‐bands 1/3 octave 20 Hz - 20 kHz
Source: Follows selected PAFL source
Peak Band Indication: Option to display dominant frequency
Control
Touchscreen 8.4" TFT, 800 x 600 resolution
Faders 100 mm motorised
Fader Strips: 3 Banks (12,8,8), 4 Layers = 112x strips
Strip Display: LCD per strip, assignable backlight colours
Softkeys 14 assignable
MIDI MIDI In and Out
Network TCP/IP Ethernet
Effects
Internal Processing Internal FX: 8x RackFX engine
Types: Reverbs, Delays, Modulators, Sub‐harmonics, Pitch Shift, Rotary Speaker, De-Esser
Mode: Send>Return, Inserted, Daisy Chain FX

FX 'Short' Return Channels
8 Stereo Dedicated Returns: Adds to inputs for up to 56 sources to the mix
Controls: Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
FX Return PEQ: Same as Input Channel PEQ
Input Processing
Channels 48 Processing Channels: Mono = 1-44, Stereo = 45/46, 47/48
Trim +/‐24 dB digital trim
Polarity Normal/Reverse
High Pass Filter 12 dB/octave 20 Hz - 2 kHz
Insert Assign to any sockets, In/Out, +4 dBu/‐10 dBV level
Delay Up to 85 ms, Bypass switch
Input global setting ‐ ms, feet, metres, samples
Gate Sidechain: Self key, In/Out, Sel 'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz - 5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz - 20 kHz
Threshold: ‐72 to +12 dBu
Depth: 0 to 60 dB
Attack: 50 us to 300 ms
Hold: 10 ms to 5 s
Release: 10 ms to 1 s
Parametric Equaliser Type: 4‐band fully parametric, +/‐15 dB
Frequency Range: Global setting for Inputs = 20 Hz - 20 kHz or 'Analogue'
Analogue Ranges: 20 - 200 Hz, 35 Hz - 1 kHz, 500 Hz - 15 kHz, 2 - 20 kHz
Band 1: Selectable LF Shelving, Bell, Hi-Pass
Band 2: Bell
Band 3: Bell
Band 4: Selectable HF Shelving, Bell, Lo-Pass
Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave
Shelving Type: Classic Baxandall
Hi-Pass, Lo-Pass Filter: 12 dB/octave
Compressor Sidechain: Sel f key, In/Out, Sel 'listen'
Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz - 5 kHz
Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz - 20 kHz
Threshold: ‐46 to 18 dBu
Ratio: 1:1 to infinity
Attack: 300 us - 300 ms
Release: 100 ms - 2 s
Knee: Soft/Hard
Manual Types: Peak Manual, RMS Manual
Auto Types: VocalAuto, OptoAuto, PunchBag
Channel Direct Out Individual trim (per channel), Options: Source, follow Fader, follow Mute (global for all)
Dimensions and Weight
Dimensions 999 x 577 x 159 mm
Weight 21 kg

In The Box

  • Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Surface
  • Power Cord

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Details
  • Product: Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Console
  • Manufacturer: Allen & Heath
  • Model: GLD2-112
  • SKU: GLD2-112
  • RM Product #: 34769