Atomos Shogun 7 HDR Monitor-Recorder-Switcher
Overview
Description
The Atomos Shogun 7 is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling; or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem. Shogun 7's portable size lets you monitor, analyze and tag while on set; and check how your content will look in your audience’s home via real-time Dolby Vision output. With Shogun 7 you’re not locked into any format, camera manufacturer or pipeline. It is a completely flexible master recording and production station.
Live multi-cam has never been more portable
Monitor, record and switch between 4 live HD SDI video streams and one program stream for flexible in-the-field directing. Enjoy the freedom of asynchronous switching and gen lock in & out to connect to existing infrastructure. Shogun 7 offers up to HDp60 SDI ISOs x 4 recording. Once you’ve finished capturing your streams, just import the Atomos xml file into your NLE and your timeline populates with all your edits in place. Audio is also taken care of, with each ISO and program record, we insert the mixed analog stereo channels and embed 2 channels of digital audio in each recorded stream. The program stream always records the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.
Single-camera storytelling in 4K, or 2K slow-mo
Capturing in 4K is now becoming a requirement for content streaming providers. With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slow motion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere* and Avid Media Composer.
Atomos technology brings the real world to your monitor
Introducing Dynamic AtomHDR technology, designed by Atomos to yield a 1,000,000:1 screen contrast ratio. With Shogun 7 blacks and colors are rich and deep. Images appear to ‘pop’ with added dimensionality and detail. The incredible Atomos screen uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs. Objects appear more lifelike than ever, with complex textures and gradations beautifully revealed. In short, Shogun 7 offers the most detailed window into your image, truly changing the way you create visually.
The best HDR just got better
A new 360 zone backlight is combined with our new screen technology and controlled by the Dynamic AtomHDR engine to show millions of shades of brightness and color, yielding jaw-dropping results. It allows Shogun 7 to display 15+ stops of real dynamic range on-screen. The panel is also incredibly accurate, with ultra-wide color and 105% of DCI-P3 covered. For the first time you can enjoy on-screen the same dynamic range, palette of colors and shades that your camera sensor sees.
Record RAW, deliver accurate Dolby Vision HDR
The challenge with HDR production is maintaining the creative intent of the production at the time of shooting vs the finished product that is viewed on devices and TVs. Atomos and Dolby have teamed up to give you Dolby Vision live HDMI out, in real-time, from any SDI or HDMI HDR camera. All courtesy of AtomOS 10.
Simply connect your Dolby Vision capable TV or monitor to your Shogun 7 or Ninja V and magically, automatically, the AtomOS analyses the image, queries the TV, and applies the right color and brightness profiles for the maximum HDR image on the display or TV. This ensures the HDR image always looks – as it was creatively intended by the creator. This is a valuable on-set reference check for the creative director and client.
This function is also available in playback and playout from RAW and Log recorded ProRes RAW, ProRes and DNx rushes for instant time-saving, on-set and in-studio review. Utilise playback functions like slow motion, and insert edit and in and out points to speed up playlist compilation.
Specifications
Weight | |
Without batteries & media | 709g / 25oz. |
Dimensions (W x H x D mm) | 214 x 127 45mm |
Construction | Polycarbonate ABS |
Mounting points | 1/4”-20 screw mount. 1x top and 1x bottom |
Power | |
Operating power | 10 - 33W |
Compatible batteries | Atomos NP-F series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 2 x 7.4V) | 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) |
DC In | 1 x DC in (6.2 - 16.8V) |
Touchscreen | |
Size | 7.2” |
Resolution | 1920 x 1280 |
PPI | 325 |
Aspect ratio | 16:9 native |
Color Gamut | Up to Wide color gamut (105% DCI-P3) |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x |
Technology | Dynamic AtomHDR zoned backlight IPS LCD |
Dynamic AtomHDR Technology | |
Backlight | Direct LED |
Zones | 360 direct backlight individual LEDs |
LEDs | Wide Color Calibrated D65 or D95 |
Bit depth | 10-bit (8+2 FRC) |
Colour | DCI-P3 105% |
Brightness | 1500nit (+/- 10%) |
Control | On the fly real-time brightness analysis for LED control |
HDR Conversion | Log/RAW to HLG or PQ |
HDR Monitoring Technology | |
Gamma | Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 / |
Video Input/Loop Out | |
HDMI | HDMI 1 x HDMI (2.0) |
SDI | Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Genlock | Genlock input signal and output signal |
Video Output (Play Out) | |
HDMI | 1 x HDMI (2.0) |
SDI | 2x 4K-SDI 12G or HD-SDI 3G/6G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Video Signal Conversion | |
HDMI to SDI | - |
SDI to HDMI | - |
Audio In/Out (48kHz PCM Audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out |
Dynamic range | >90dB |
Max signal level | +24dBu |
Max analogue gain | +52dB |
48V | Phantom Power for Mic |
Headphone out | 3.5mm 2ch. |
Supported Codecs & Frame Rates (Record & Playback) | |
Raw to: | ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p | 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Canon | |
C300MKII/C500 CDNG | 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera |
Panasonic | |
VaricamLT, EVA1 | 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p |
4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
|
Supported base resolution & FPS from cameras | 4K DCI: 23.98/29.9/59.94p 4K UHD: 23.98/29.9/59.94p 2K DCI: 23.98/29.9/59.94p 1080p: 23.98/29.9/59.94p |
Supported FPS & resolution from gaming consoles and graphic cards | 1080p; 24/25/30/50/60/100/120 |
Onboard Processing | |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Remote Start/Stop | |
HDMI | Auto HDMI Trigger Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps. |
Recording | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes* |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke |
In The Box
- Shogun 7
- Master Caddy II
- 12V-3A AC power supply
- Carry Case
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Details
- Product: Atomos Shogun 7 HDR Monitor-Recorder-Switcher
- Manufacturer: Atomos
- Model: Shogun 7
- SKU: Shogun 7
- RM Product #: 60493
- Warranty: 1 year manufacturer warranty view terms