Behringer Model D Analog Synthesizer with Ladder-Style Filter
Features
- Authentic Layout and Sound
- Semi-Modular Design with 14 Patch Points
- Pure Analogue Signal Path
- Three VCOs with Five Waveforms Each
- Classic 24 dB Ladder-Style Filter
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Description
Based on the authentic synthesiser structure and ladder-style filter design found in iconic and legendary synths of the '70s, the Behringer Model D is a three-oscillator analogue synthesiser with a pure analogue signal path and a dedicated and fully analogue triangle/square wave LFO. The instrument utilises matched transistors and JFETs, precision 0.1% thin-film resistors, and polyphenylene-sulphide capacitors, which allow for flexible sound shaping capabilities, resulting in super-fat basses and lead tones, mind-bending effects, and progressive organ sounds.
The three VCOs offer a wide range of waveforms for sculpting sound. VCOs 1&2 include triangular, triangular/saw, saw, square, wide pulse, and narrow pulse, while VCO3 features triangular, reverse saw, saw, square, wide pulse, and narrow pulse. Additionally, all 3 VCOs can be adjusted across a wide, 6-octave range (LO, 32', 16', 8', 4', and 2'). At the heart of the Model D beats the highly flexible 24 dB ladder-style filter with controls for filter cutoff, emphasis, and contour. The filter can be switched between high-pass and low-pass, while the dedicated envelope allows the filter to be shaped over time. What's more, the filter can be key-tracked for realistic recreations of acoustic instruments.
Other notable additions to the Model D include a semi-modular design, which requires no patching for immediate performance. However, many of the instrument's audio and CV input and outputs can be routed via 1/8" patch cables to interface with other Eurorack modules. The front panel can be removed from the desktop case and placed within a standard Eurorack enclosure. The monophonic Model D is capable of up to 16-note poly-chaining, allowing multiple units to be connected and used polyphonically. The Behringer Model D ships with a power adapter.
Features
- Classic analogue synthesiser with triple VCO design allows for insanely fat music creation
- Authentic reproduction of original “D Type” circuitry with matched transistors and JFETs
- Precision 0.1% thin-film resistors and polyphenylene sulphide capacitors
- Pure analogue signal path based on authentic VCO, VCF, and VCA designs
- Five variable oscillator shapes with variable pulse widths for ultimate sounds
- Classic 24 dB ladder filter with resonance for authentic sound performance
- Switchable low-/high-pass filter mode for enhanced sound creation
- Dedicated and fully analogue triangle/square wave LFO
- 16-voice poly-chain allows combining multiple synthesisers for up to 16-voice polyphony
- Semi-modular design requires no patching for immediate performance
- Overdrive circuit adds spice and edge to your sounds
- Noise generator dramatically expands waveform generation
- Complete Eurorack Solution: Main module can be transferred to a standard Eurorack case
- 48 controls give you direct and real-time access to all important parameters
- External audio input for processing external sound sources
- Low- and high-level outputs featuring highest signal integrity signal stages
- Comprehensive MIDI implementation with MIDI channel and Voice Priority selection
Specifications
Synthesiser Structure | Number of Voices: Monophonic Type: Analogue VCO: 3 x voltage-controlled oscillators (0.1 Hz to 20 kHz in 6 overlapping ranges) LFO: 1 x low-frequency oscillator (0.05 Hz to 200 Hz, up to 300 Hz with external CV input) VCF: 1 x voltage-controlled filter, switchable low-pass or high-pass (24 dB/octave slope) Envelopes: VCA, VCF |
Line Inputs and Outputs | High Output: 1/4" / 6.35 mm TS, unbalanced, maximum 0 dBu High Output Impedance: 1.2 kOhms Low Output: 1/4" / 6.35 mm TS, unbalanced, 30 dB below high output Low Output Impedance: 1 kOhms Headphones: 1/8" / 3.5 mm TRS, unbalanced, maximum -3.5 dBu Headphones Output Impedance: 8 Ohms |
Control Voltage | Inputs: 1/8" / 3.5 mm (TS) Modulation Source: Noise is the modulation source if there is no connection present Oscillator 1: 1 V per octave LFO: -5 V to +5 V External Input Impedance: 1 MOhm Cutoff Frequency: 0 to +5 V controls the cutoff frequency Loudness: 0 to +5 V controls the loudness Filter Contour: +5 V gate input triggers the filter contour Loudness Contour +5 V gate input triggers the loudness contour Outputs: 1/8" / 3.5 mm (TS) LFO Triangular Waveform: +/- 2 V LFO Square Waveform: +/- 2 V Mixer Output: 0 dBu maximum Filter Contour: 0 to +4 V Loudness Contour: 0 to +4.6 V Main Audio Output: 0 dBu maximum |
USB | Type: Class-compliant USB 2.0, Type-B Supported Operating Systems: Windows XP or higher macOS 10.6.8 or higher |
MIDI Connectors | In/Through: 2 x 5-pin DIN |
Controllers | Knobs Tune: -2 to +2 Glide: 0 to 10 Modulation Mix: OSC 3 or filter EG to noise/ext mod source or LFO Modulation Depth: 0 to 10 LFO Rate: 0 to 10 Switches Modulation Source: OSC 3 or filter EG Modulation Source: Noise or external modulation source or LFO LFO Waveform: Triangular or square |
Oscillators | Knobs Range (OSC 1, 2, and 3): LO, 32', 16', 8', 4', 2' Frequency (OSC 2 and 3): -7 to +7 Waveform (OSC 1 and 2): Triangular, triangular/saw, saw, square, wide pulse, narrow pulse Waveform (OSC 3): Triangular, reverse saw, saw, square, wide pulse, narrow pulse Switches: Oscillator modulation on/off OSC 3 control (by keyboard) on/off |
Mixer Section | Knobs Volume (OSC 1, 2, and 3): 0 to 10 Volume (External Input): 0 to 10 Volume (Noise): 0 to 10 Switches OSC 1, 2, and 3: On/off External Input: On/off Noise: On/off Noise Source: Pink or white LED: Overload |
Filter | Knobs Cutoff Frequency: -4 to +4 Filter Emphasis: 0 to 10 Amount of Contour: 0 to 10 Attack: 1 ms to 10 s Decay: 4 ms to >35 s Sustain: 0 to 10 Switches Filter Mode: Low-pass/high-pass Filter Modulation: On/off Keyboard Control 1: On (1/3) or off Keyboard Control 2: On (2/3) or off Filter Decay: On/off |
Output | Loudness Contour Dynamic Range: 80 dB Knobs Volume: 0 to 10 Headphone Volume: 0 to 10 Amount of Contour: 0 to 10 Attack: 1 ms to 10 s Decay: 4 ms to >35 s Sustain: 0 to 10 Switches Main Output: On/off A-440: On/off Loudness Decay: On/off LED: Power |
Operating Temperature Range | 41 to 104°F / 5 to 40°C |
Power | External Power Adapter: 12 VDC, 1000 mA Power Consumption: 7 W maximum |
Dimensions (H x W x D) | 90.0 x 374.0 x 136.0 mm |
Weight | 1.7 kg |
In The Box
- Behringer Model D - Analog Synthesizer with Ladder-Style Filter - Eurorack Compatible
Reviews
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- Laurence
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Thomas
This thing sounds amazing to me. I have a Korg Prologue 16 so I have some experience with the sound of analogue synths. I have never used a Moog to compare this replica to but I have seen comparisons that rate this unit very highly, especially for the price. I got the Model D for fat bass sounds to compliment the spacious sounds of the Prologue, and it totally delivers. 3 Oscillators provide full bass tones. The filter is delicious. If you are used to a $3000 Moog you may be disappointed with the size of the knobs on this unit and that control aspect, but you can't argue with the value. If you have not much experience with analogue and are looking to get into something at lower price point, this is you.Read more Read less
Details
- Product: Behringer Model D Analog Synthesizer with Ladder-Style Filter
- Manufacturer: Behringer
- Model: 000-CQJ02-00010
- SKU: 000-CQJ02-00010
- RM Product #: 52467
- Warranty: 3 year manufacturer warranty