Processors & Effects

• For Keyboards
• 2 x 1/4" Inputs with Thru Outputs
• -15 dB Pad for Active Instruments
• Handles Huge Transients without Chocking

• For Stage & Home Recording Studio Use
• Handles High-Output Instruments
• Transformer Isolated, No Ground Loops

• No Batteries Required
• Merge Switch Sums Stereo Instruments
• Low Cut/Polarity/Pad/Ground Switches

• Eliminates Hum & Buzz from Ground Loops
• Zero Phase & Harmonic Distortion
• Jensen Transformer Equipped

• Unbalanced 1/4" Inputs.
• Balanced XLR Outputs.
• Passive Operation.
• Ground Lift.

• For Multimedia Applications
• Mono 1/4", Stereo RCA, and 3.5mm Inputs
• Mono XLR Line-Level Input
• Mic-Level Mono Sum at XLR Out
• -15 dB Pad

• Two by Two Monitor Controller
• 2x Sources and 2x Monitor Pairs
• Classic Big Knob Volume Control
• Mono, Mute, and Dim Functions
• Pristine Audio Quality

• 16 Voice Effects
• Compression, Reverb, Delay, and Enhance
• Adds up to 2 Voices for 3-Part Harmonies
• XLR Mic Input with 48V Phantom Power
• 3.5mm Stereo Aux Input

• Recreation of Pultec EQP-1A
• Aesthetics and Sonics of the Original
• CineMag Transformers and Premium Tubes
• Fully Discrete Design
• Five Added Frequency Points

• 4 Tube Design
• Dual Cinemag Transformers
• Kenetek Opto-Cell
• Discrete Signal Path

• VCA Control and USB Audio Interface.
• Large Control Knob Sets Levels Faster.
• High-End VCA Technology.
• Controls 3 Pairs of Studio Monitors.
• 2 x Powerful Headphone Amplifiers.

• Passive re-amping device
• Allows for playing prerecorded tracks through amplifiers and pedals and re-record the results
• Level control for fine tuning the gain
• Ground lift switch, when activated helps to reduce hum and buzz caused by ground loops

• Balanced XLR Outputs
• Transformer Isolation
• Provides Ground Isolation
• Stereo/Mono Switch
• USB Powered

• Stereo Version of J48
• Low Distortion
• -15 dB Pad
• High-Pass Filter at 80 Hz
• Retains Instrument's Tone
• 14-Gauge Steel Construction

• 4 modes of operation
• External side-chain inputs and sends
• Authentic SSL Bus Compressor circuit
• LOW THD Mode
• Negative Ratios
• 100% analogue circuit, controlled digitally

• Stereo 2-Way / Mono 3-Way Switchable
• Dedicated Mono Subwoofer Output
• Linkwitz-Riley Filters 24 dB/Octave
• Individual Gain & Mutes for All Bands
• Switchable 25 Hz Low Cut Filter

• High dynamic headroom with minimum phase and harmonic distortion
• High input impedance reduces loading
• Very good electronic performance thanks to SMD components and low noise IC
• Very efficient ground lift circuitry

• 3x Stereo Pairs of 1/4" TRS Speaker Outs
• 2x Stereo Pairs of 1/4" TRS Inputs
• 1x Stereo RCA & 1x Stereo 1/8" Aux Input
• 1x Stereo S/PDIF Digital Input
• 4x 1/4" TRS Stereo Headphone Outs

• Connect an Instrument to a Mic Input
• Converts Unbalanced to Balanced
• Converts High Impedance to Low Impedance
• 1/4" Unbalanced Input
• 1/4" Through Jack

• Increased Dynamic Range and Headroom
• 48V Phantom Powered & Switching Supply
• -15 dB Pad Switch

• Dual Channel.
• Stereo or Dual-Mono.
• Classic dbx "Auto" Mode.
• Side Chain Insert.
• Separate LED Displays.

• Two Independent or Linkable Channels
• Expander/Gate, Compressor & Peak Limiter
• Integrated De-Esser & Dynamic Enhancer
• Selectable Tube Simulation
• Balanced XLR & 1/4" I/O

• Unbalanced 1/4" and XLR Inputs.
• Balanced XLR Output.
• Battery or Phantom Powered.

• -15 dB Attenuation Setting
• Ground-Lift Switch
• 1/4" Input and Thru
• Balanced XLR Output
• 48V Phantom and 9V Battery Power

• 4x Sources and 3x Monitor Pairs
• Classic Big Knob Volume Control
• Independent Trim on All Sources
• Mono, Mute, and Dim Functions
• 2x4 USB Recording Interface

• Connect a Computer to a PA or Mixer
• Built-In 24-Bit / 96 kHz Convertor
• 2 x Balanced XLR 3-Pin Outputs
• 3.5mm Stereo Headphone Output
• USB Type-B Input
• Operates on USB Bus Power

• For the H9000

• Connect Line/Hi-Z Signals to Mic Inputs.
• 1/4" Input.
• Parallel Thru-Put for Amp Connections.
• Line/Instrument Switch.
• Passive Design for Active Instruments.

• Connect Line/Hi-Z Signals to Mic Inputs.
• 1/4" Input.
• Parallel Thru-Put for Amp Connections.
• Line/Instrument Switch.
• Active Design for Passive Instruments.

• 4-Channel Active DI
• Connect a Keyboard to a Mic Input
• Connect a Guitar or Bass to a Mic Input
• 4 x XLR-1/4" Combination Inputs
• 8 x XLR Outputs (2 per Channel)

• Route a Stereo Instrument to Mic Inputs
• Converts Unbalanced to Balanced
• Converts High Impedance to Low Impedance
• Two 1/4" Unbalanced Inputs
• Two 1/4" TS Through Jacks

• Route a Stereo USB Source to Mic Inputs
• Converts USB to Balanced Analogue
• USB 2.0 Type-B Input
• Two XLR 3-Pin Balanced Outputs
• 3.5mm Stereo Headphone Output

• Input & Output Trim Controls
• Adjustable High-Pass Filter
• Selectable Mid-Side Insert Mode
• Input Overload LED, Stereo I/O Meter
• Stereo XLR I/O & Insert Connectors
• Occupies 2 RU of Rack Space

• Connect Keyboards or Samplers to Mixers
• Connects MP3 and CD Players to Mixers
• Extended Dynamic Range
• Midas Sound Quality
• Compact and Rugged Construction

• Beating heart of the most iconic optical compressors ever made

• Connects a Mobile Device to a PA/Mixer
• 3.5mm TRS Male Plug on 5' Attached Cable
• Switchable -15 dB Pad
• Custom-Wound Transformers
• 2 x 1/4" TRS Outputs
• Balanced XLR 3-Pin Output

• TSAC-HD Pre-Effects and Amp Modeling
• Core-Image Post-Effects
• Quick Tone™ Edit Software
• Supports 3rd-party IRs to Expand Sound Ability
• 56 Drum Beats & 60sec Phrase Loop Synchronization
• Global 3 Bands EQ for Quick Adjustment

• Single-Channel Limiting Amplifier
• Ultra-Fast Attack Time
• "All Buttons In" Feature
• CineMag Input and Output Transformers
• Class-A Line-Level Output Amplifier

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Buffers Signal for Long Cable Runs.
• Boost Circuit Adds Volume and Drive.

• Single Channel
• Smooth, Musical Compression
• Based on Classic LA-2A Design
• Same Electroluminescent Tech as Original
• Full Tube Complement

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• Connect a Guitar, Bass, or Keyboard to PA.
• Extended Dynamic Range.
• MIDAS Sound Quality.
• Compact and Rugged Construction.
• Instrumentation-Grade Input Circuit.

• 12 dB/Octave Rolloff
• Stereo RCA Input and Outputs
• 50 Hz to 2.5 kHz Crossover Range
• Mono Sub Output
• External Power Supply for Low Noise Operation

• Stereo-to-Mono Direct Box
• Custom-Built Midas Transformer
• Passive Design, No Power Required
• L/R Adjustable Level Controls
• RCA and 3.5mm TRS Stereo Inputs

• Connect Keyboards or Samplers to Mixers
• Connect Musical Instruments to Mixers
• Extended Dynamic Range
• Midas Sound Quality
• Compact and Rugged Construction

• Class-A Discrete Circuitry
• Balanced XLR Input/Output Connectors
• 12AX7 and 12AU7 Vacuum Tubes
• MIDAS Input/Output Transformers
• Switchable Frequency Selectors

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Switchable -20 dB Pad.
• 1/4" Thru and Main Outputs.

• Reference-Class 4-Channel Operation
• Expander, Gate, and Compressor
• Peak Limiter with Dynamic Enhancer
• Low-Contour Filter
• 8-Segment LED Metres

• Balanced Transformer-Isolated Output
• Dual-Impedance Inputs
• Illuminated 30dB Pad and Earth Lift Switches
• Built for the Road

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• Designed for the Rigours of Live Concert Touring
• Illuminated Switches
• Power Indicator LED’s
• Thick Aluminium Extrusion
• Tough Silicone Rubber Corners

• For Studio or Live Use.
• Single-Channel, FET-Style Compressor.
• Modelled on Classic 1176 Hardware.
• Adjustable Attack & Release Times.
• 4 Selectable Ratios & All Button Mode.

• Classic TC Electronic Reverb Sound.
• Transparent: Preserves Natural Character.
• Software with Hardware Interface.
• Large Reverb Variety for Diverse Sounds.
• Hardware Metering for Monitoring.

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Pristine Audio Fidelity
• Ground Lift Switch
• Voltage Gain Selector

• Packed with immersive, atmospheric reverbs.
• Switchable line- and instrument-level stereo operation.
• Integrated 8-step sequencer with auto-advance.
• Powerful SHARC DSP with 32-bit floating-point processing.

• Single Channel
• 4-Bands
• High and Low Pass Filters
• XLR, 1/4" and RCA I/O
• AC Adapter Included

• Classic VCA Compressor Design.
• Add Glue & Control Dynamics.
• Switchable CineMag Transformers.
• Sonic Transparency or Colourful Vibe.
• Selectable High-Pass Filter.

• Optimised for Live Use
• Multi-Band Compressor
• Super-Fast Gate
• Multiple Configuration
• Analogue and Digital I/O

• Single Channel
• Battery or Phantom Powered
• Ground Lift
• Input Pad
• Rugged Enclosure

• 8 DSP Presets, 8 Samples, and 3-Band AEQ
• Vocal Tune, Voiceover, and Loop Back
• 3.5mm Mic Input with 5V Phantom Power
• 3.5mm Line Input and Output Jacks
• 3.5mm Headphone Port

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.

• Dual Channel
• Passive
• 1/4" Mono, 1/8" Stereo and RCA Inputs
• Input Level Controls
• Ground Lift Switches

• Connect an Instrument to a Mic Input
• Converts Unbalanced to Balanced
• Converts High Impedance to Low Impedance
• 1/4" Unbalanced Input
• 1/4" Through Jack

• Eventide Quality Effects
• Real-Time Control
• Tap Tempo
• MIDI
• Metal Footswitches

• Active.
• Polarity Switch.
• Ground Lift Switch.
• Rugged Construction.

• Premium Performance.
• Rugged Design.
• Stackable Chassis with Durable Rubber Foot.
• Gold-plated Neutrik XLR Connector.

• LED Backlit VU Input/Output Level Metering
• VCA-Less Vactrol Opto-Compression Design
• Accurate Ten Segment LED Gain Reduction Metering
• Active Balanced XLR And 1/4-Inch Inputs & Outputs

• Precise 10-segment LED meter for output level
• Servo-balanced inputs and outputs
• 1/4" TRS and gold-plated XLR connectors
• Relay-controlled hard bypass switch
• Rugged 2U rackmount chassis

• Authentic recreation of SL 4000 B
• Design based on SSL Bus Compressor
• Feature Compressor/Limiter & Gate/Expander
• Feedback design with Peak sensing
• Fixed compression ratios
• Fixed release times

• SSL Highpass & Lowpass Filters
• Wet/Dry Mix Control

• SSL 4000 E Series Circuitry
• Black-242 AEQ Design
• Brown-02 AEQ Design
• Versatile 4-Band Channel AEQ
• Bell Curve Option on HF and LF

• Recreates Classic Top-Tier Studio Staple
• Smooth Tube-Optical Warmth
• Precision Controls
• Custom Large-Core Transformers
• 12ax7 Tung-Sol and JJ 12au7 Tubes
• 270V 100% Discrete Analogue Signal Path

• Active Signal Patch
• Eliminates Hum and Buzz common to PCs
• 1/4" / RCA / 3.5mm Inputs for Any Source
• -15 dB Pad, Ground Lift Switch
• 48V Phantom Powered

• Equipped with Jensen Transformers
• -15 dB Pad Per Channel
• Flat Frequency Response
• Transformer-Isolated I/O
• 14-Gauge Steel Construction

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• Advanced CDCM HD and F.I.R.E. Modeling System
• Core-Dual-DSP-Platform
• Armory
• Authentic Acoustic Sound
• Touch Screen Interface
• Essential I/O

• Compact, easy-to-use amp modeler & effects processor
• New-gen CDCM & F.I.R.E. modeling system ensures high end tonal expressiveness and realistic playing experience
• Powerful, upgraded dual DSP-powered platform ensures excellent sound quality
• 24-bit signal processing, up to 120dB S/N ratio
• 4-inch 800 x 480 sharp color touch screen with instant control
• 18V DC high voltage power supply for huge dynamic range

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

• 32 Channels of Digital I/O for your H9000

• 2 channels
• 19 inch rack size

• Key Holder access only.
• Takes only minutes to install.
• Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations.
• Dual 16 segment Left/Right bargraphs for ’at a glance’ level metering.
• ’Protection’ processing 16 segment bargraph display.

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• Variable high pass and low pass filters for "frequency conscious" gating
• Comprehensive envelope control, attack, hold, decay, and range
• Key input for external triggering
• "Key listen" facility
• Extremely fast attack time, to preserve the natural attack of the sound
• Balanced inputs and outputs

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
• Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Rugged aluminum-extrusion chassis
• Dependable Neutrik XLR and locking EtherCon connectors
• Power over Ethernet (PoE) eliminates the need power supplies
• LED indicators let you keep an eye on network health and device functions

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

• Single-Channel, Solid-State Compressor
• Switchable Sidechain High-Pass Filter
• Selectable High- and Low-Pass Filters
• Dry/Wet Mix Control
• Adjustable Attack and Release Times

• Fully Discrete Design
• Through Hole Components
• Polyester Capacitors
• Vintage-Inspired One-Sided PCB Layout
• Cinemag Remake/Original UTC Transformer

• For Recording & Mixing Engineers
• 2 Classic Compressors in 1 Unit
• F.E.T. Compression Based on 76 Design
• Opto Compression Based on 2A Design
• Swap Order of Circuits with AB-BA Switch

• Amp & Cab Simulator in Pedal Form
• Combo, Stack & 4x12 Cab Settings
• Presence Switch to Add Highs
• 180° Polarity Reverse Switch
• Ground Lift Switch

• Compressor and Limiter
• Expander and Gate
• Five Segment LED Indicator Metres
• True RMS Convertor on Sidechain
• Linear or Logarithmic Release Curve

• Minimum-Phase Design from SSL Fusion
• 4-Band Stereo AEQ
• High and Low Shelving Bands
• Fully Parametric Midrange Bands
• Precision Focus Mode

• Sonic Character of SSL Stereo Bus Compression
• Six Ratio Settings Ranging from 1.5:1 to 20:1
• Five Release Settings and Auto Release Function

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• LivePod Plus Livestreaming Interface
• Condenser Mic, Earphones, Stands, Cables
• 8 DSP Presets, 8 Samples, and 3-Band AEQ
• Vocal Tune, Voice Over, and Loop Back
• 3.5mm Mic Input with 5V Phantom Power