Processors & Effects

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
• Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.

• Dual Channel.
• Stereo or Dual-Mono.
• Classic dbx "Auto" Mode.
• Side Chain Insert.
• Separate LED Displays.

• Single Channel
• Smooth, Musical Compression
• Based on Classic LA-2A Design
• Same Electroluminescent Tech as Original
• Full Tube Complement

• For Studio or Live Use.
• Single-Channel, FET-Style Compressor.
• Modelled on Classic 1176 Hardware.
• Adjustable Attack & Release Times.
• 4 Selectable Ratios & All Button Mode.

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• Rugged aluminum-extrusion chassis
• Dependable Neutrik XLR and locking EtherCon connectors
• Power over Ethernet (PoE) eliminates the need power supplies
• LED indicators let you keep an eye on network health and device functions

• For Recording & Mixing Engineers
• 2 Classic Compressors in 1 Unit
• F.E.T. Compression Based on 76 Design
• Opto Compression Based on 2A Design
• Swap Order of Circuits with AB-BA Switch

• Precise 10-segment LED meter for output level
• Servo-balanced inputs and outputs
• 1/4" TRS and gold-plated XLR connectors
• Relay-controlled hard bypass switch
• Rugged 2U rackmount chassis

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Fully Discrete Design
• Through Hole Components
• Polyester Capacitors
• Vintage-Inspired One-Sided PCB Layout
• Cinemag Remake/Original UTC Transformer

• Classic VCA Compressor Design.
• Add Glue & Control Dynamics.
• Switchable CineMag Transformers.
• Sonic Transparency or Colourful Vibe.
• Selectable High-Pass Filter.

• Two by Two Monitor Controller
• 2x Sources and 2x Monitor Pairs
• Classic Big Knob Volume Control
• Mono, Mute, and Dim Functions
• Pristine Audio Quality

• 4x Sources and 3x Monitor Pairs
• Classic Big Knob Volume Control
• Independent Trim on All Sources
• Mono, Mute, and Dim Functions
• 2x4 USB Recording Interface

• Optimised for Live Use
• Multi-Band Compressor
• Super-Fast Gate
• Multiple Configuration
• Analogue and Digital I/O

• VCA Control and USB Audio Interface.
• Large Control Knob Sets Levels Faster.
• High-End VCA Technology.
• Controls 3 Pairs of Studio Monitors.
• 2 x Powerful Headphone Amplifiers.

• Stereo 2-Way / Mono 3-Way Switchable
• Dedicated Mono Subwoofer Output
• Linkwitz-Riley Filters 24 dB/Octave
• Individual Gain & Mutes for All Bands
• Switchable 25 Hz Low Cut Filter

• Premium Performance.
• Rugged Design.
• Stackable Chassis with Durable Rubber Foot.
• Gold-plated Neutrik XLR Connector.

• Dual Channel
• Passive
• 1/4" Mono, 1/8" Stereo and RCA Inputs
• Input Level Controls
• Ground Lift Switches

• High dynamic headroom with minimum phase and harmonic distortion
• High input impedance reduces loading
• Very good electronic performance thanks to SMD components and low noise IC
• Very efficient ground lift circuitry

• Active.
• Polarity Switch.
• Ground Lift Switch.
• Rugged Construction.

• Unbalanced 1/4" and XLR Inputs.
• Balanced XLR Output.
• Battery or Phantom Powered.

• Connect a Guitar, Bass, or Keyboard to PA.
• Extended Dynamic Range.
• MIDAS Sound Quality.
• Compact and Rugged Construction.
• Instrumentation-Grade Input Circuit.

• Stereo-to-Mono Direct Box
• Custom-Built Midas Transformer
• Passive Design, No Power Required
• L/R Adjustable Level Controls
• RCA and 3.5mm TRS Stereo Inputs

• Connect Keyboards or Samplers to Mixers
• Connect Musical Instruments to Mixers
• Extended Dynamic Range
• Midas Sound Quality
• Compact and Rugged Construction

• Connect Keyboards or Samplers to Mixers
• Connects MP3 and CD Players to Mixers
• Extended Dynamic Range
• Midas Sound Quality
• Compact and Rugged Construction

• 4-Channel Active DI
• Connect a Keyboard to a Mic Input
• Connect a Guitar or Bass to a Mic Input
• 4 x XLR-1/4" Combination Inputs
• 8 x XLR Outputs (2 per Channel)

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.