Roland M5000-22416 64x48 Digital Mixing System

Description

The Roland M5000-22416 64x48 Digital Mixing System is an ideal solution for a monitor or FOH setup with an expanded amount of physical outputs, 48, and 64 physical inputs. The system consists of the configurable M-5000 OHRCA console and two S-2416 Digital Snake heads delivering pristine 96k audio end to end.

Roland M5000 Digital Mixing System

This Roland M5000 Digital Mixing System is an ideal solution for a FOH standard band setup with 80 physical inputs and 32 physical outputs. The system consists of the configurable M-5000 OHRCA console and two high end S-4000s-3208 Digital Snake heads delivering pristine 96k audio end to end.

128 freely definable audio paths unlock a completely new realm of flexibility
The console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows the user to essentially “build” a console structure based on the immediate needs of the application. This not only makes for a console that can accommodate a diverse range of applications, but also one that accommodates high levels of flexibility for precise response to dynamically changing conditions from venue to venue.

Adaptable to numerous audio networks and I/O requirements
Expansion options including REAC, Dante, MADI, Waves SoundGrid, SDI, SFP and DVI open the door to endless configurations and applications. Expansion slots also future proof the console by being ready to adapt to emerging standards. Up to 300 inputs and 296 outputs (460 inputs and 456 outputs at 48kHz)* are managed in separate patchbays and can be used independently of the mixer. Any input can be patched to any or multiple outputs, including control+ of the gain and phantom power, without having to be patched through a mixing channel. A makes it possible to control an enormous number of input and output channels across multiple protocols and formats.

Expandable support for REAC, MADI, Dante,Waves SoundGrid, SDI and other future formatsand solutions
In addition to analog input and output ports, the console is equipped with AES / EBU ports and REAC-A, REAC-B, SPLIT/BACKUP ports on the rear panel. What's more, it provides two slots for optional expansion cards such as REAC, Dante, MADI, Waves SoundGrid, SDI, SFP and DVI.

Redundant transmission and power supply option
Redundant REAC lines can be created by connecting both a main and backup line. If the main line experiences a problem, switchover to the backup line takes place with no interruption in audio. Similar audio redundancy is also possible for REAC, MADI, or Dante cards installed in the expansion slots. In addition, redundant power is made possible by connecting an optional S-240P power unit to the DC input connector.

Meticulous attention to processing detail, maintaining smooth fidelity with all the warmth and sparkle of the original sound.
An uncompromising commitment to the purity and clarity of sound extends to every aspect of the internal architecture and processing. As befits this flagship model, it starts with a high sampling rate of 96kHz. The discrete circuitry was precisely designed with careful component selection and circuit architecture, separation of analog and digital sound modules, 72-bit linear summing circuit, and more. We aimed for and have achieved unprecedented high sound quality through a rigorously uncompromising commitment to getting every detail right.

Key Features

• Configurable Architecture
• 128 audio paths assignable as channels, auxes, subgroups, matrices, mix minus, etc
• Easily adaptable to many applications including front-of-house, monitor position, or broadcast.
• Extensibility
• Unrestricted patching for up to 300 inputs/296 outputs(M-5000) and 300 inputs/288 outputs(M-5000C) at 96kHz(More at 48kHz)
• Support for 2 of the 7 available optional expansion cards
• Redundant audio transmission and optional redundant power supply
• High Resolution
• Outstanding 24-bit, 96kHz sound quality
• High-precision 72-bit linear summing circuitry
• High-end discrete preamps onboard and available in remote snake options
• Flexible Workflow
• 12" touch screen with integrated "touch and turn"
• 28 freely scrollable, isolatable, or assignable faders (20 with M-5000C)
• Dedicated, freely assignable user section of buttons and knobs

Roland S-2416 24x16 Digital Snake Stage Unit

The Roland S-2416 24x16 Digital Snake Stage Unit expands the line-up by offering a 24 input x 16 output analog and 8 input x 8 output digital, for a total of 32 input and 24 output channels. In addition to the analog and digital I/O the S-2416 has two REAC ports enabling the ability to cascade an additional snake for expanded I/O or for a fully redundant, zero-loss audio back-up solution. In addition, the discrete mic preamps are newly developed high-grade ensuring highest-quality uncoloured sound.

24 inputs and 16 outputs in a 4U rack size
The chassis houses 24 analog inputs and 16 analog outputs in an EIA rack-mount size of 4U. All input sections are equipped with discrete mic preamps that have been freshly designed to be transparent with uncolored sound. What's more, each XLR jack features three-colored lights that clearly communicate the status of phantom power, clipping, and signal presence. The use of Neutrik connectors assures ruggedness for demanding environments.

AES/EBU ports provide a digital input/output environment
The rear panel provides AES/EBU connectivity (25-pin D-sub type) for 8 channels of input and output, enabling connection to speaker processors, amps, and other devices capable of AES/EBU input and/or output. Input via AES is assigned to channels 25 through 32 and output is selectable by a mode switch. When combined with analog input and output, the S-2416 can achieve up to 32 inputs and 24 outputs.

*When using AES/EBU input/output, external syncing to a master clock is required. Use third-party AES/EBU breakout cables to make connections.

Two REAC connectors, enabling support for redundant transmission
With two REAC connectors – a main and a backup – a redundant REAC network is possible. If a problem occurs with the main line, operation instantly switches to the backup with no break up or click/pop in sound. What's more, use of Neutrik Ethercon connectors assures both a reliability and ruggedness for any type of environment.

Easily expand I/O with a cascade connection
The S-2416 is the first Digital Snake capable of a cascade connection. Switching the device to Cascade mode and connecting another Digital Snake makes it possible to expand inputs and outputs up to 40x40 channels. Any of four patterns can be selected for the number of channels output to the additional Digital Snake with a cascade connection: 40 (1 - 40 ch), 32 (9 - 40 ch), 24 (17 - 40 ch), and 16 (25 - 40 ch).

High sampling rate of 96 kHz and word-clock input/output
The S-2416 supports a high bit rate of 24 bits and a high sampling rate of 96 kHz. A mode switch enables selection of 96 kHz, 48 kHz, or 44.1 kHz, when the S-2416 is switched to Clock master mode. The unit is also equipped with word-clock input and output connectors (BNC) for supplying a master clock signal when using the AES/EBU connection.

MUTE ALL OUTPUTS button for silencing all output
The S-2416 is equipped with a MUTE ALL OUTPUTS button to temporarily silence all outputs - a handy feature when changing cable connections.

Mode control via REAC, USB, or RS-232C
Mic preamps can be controlled using any V-Mixer, R-1000, an S-4000R unit connected by RS-232C, or by using the S-4000 RCS remote-control software on a computer (Mac or Windows) connected via USB.

Front/back adjustable rack mounting for greater freedom in installation
Rack-mount angle brackets can be attached not only at the front panel, but also at the rear. This makes it possible to mount the S-2416 with either front or rear orientation as needed.

Key Features

• 24 input x 16 output analog + 8 input x 8 output digital (AES/EBU) = 32 input x 24 output
• 2 REAC ports to either cascade additional snake or for redundant connection
• Newly developed high-grade mic preamps
• 4U adjustable front or rear rack-mount design
• Supports 24-bit 96kHz, 48kHz, or 44.1 kHz sample rates
• Word clock in & out
• Remote control via any V-Mixer console, R-1000, S-4000R dedicated remote unit, and S-4000 RCS via USB (Windows/Mac)