- 4K HDR Video Recording
- 1"-Type Stacked CMOS Sensor
- Bionz X Image Processor
- 273-Point Phase Detection Autofocus
- Zeiss Vario Sonnar T* Lens
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- Product: #48190
- SKU: FDRAX700
4K and HDR are now available in an easy-to-use camcorder format with the Sony FDR-AX700 4K Camcorder . Using the HLG format, HDR (High Dynamic Range) images can be recorded and processed for playback on HDR screens. Compared to SDR (Standard Dynamic Range) formats, HDR offers increased colour and contrast representation that is immediately noticeable. Dual SD card slots, an LCD and viewfinder, manual controls, a 12x zoom range, and a comfortable form factor make the AX700 an all-around camera for anything from family events to professional filmmaking and videography.
4K recording has made focusing more difficult. Missed focus becomes exponentially more obvious with the increase in resolution over HD formats. Sony's phase detection autofocus uses 273 points to lock onto and track subjects as they move through the frame. Focus speed and tracking can be adjusted to fit your project. So, whether you're tracking fast-moving vehicles or actors moving through the frame, the AX700 will be able to keep up and maintain sharp focus.
For more advanced users, Sony included S-Log2 and S-Log3 picture profiles alongside their S-Gamutcolor space . Enabling this functionality grants you greater control over the final image through post-production processing.
4K HDR Video Recording
Recording in HDR using Hybrid-Log Gamma (HLG) enables you to record and display wider ranges of exposure and colour than normally available in SDR media. Without extra processing, HDR recordings can be enjoyed by simply connecting the camera to an HLG-compatible Sony TV using a USB cable.
XAVC S Recording Format
The XAVC S format is used for 4K and HD recording. Bit rates of up to 100 Mbps for 4K, and 50 Mbps for Full HD recording, ensure detailed video with minimal compression noise. 100 Mbps recording is also available at 120 fps in Full HD, so high-quality slow-motion sequences can be created during post-processing.
Speed up your editing and delivery with the option of onboard proxy recording. Lower-resolution proxy files are captured alongside full-resolution 4K video, for easy sharing and online collaboration, as well as more efficient editing on under-powered computers. When you're ready, simply substitute the proxy files with the full-resolution ones to finalise your video.
Slow and Quick Motion
Enjoy creative ways to express time's passage. The Super Slow Motion and Slow & Quick Motion let you capture motion in the blink of an eye, at up to 960 fps (40x super slow motion), or in compelling time-lapse sequences, captured at 1 fps for playback at up to 60x natural speed.
S-Gamut and S-Log Picture Profiles
S-Gamut and S-Log shooting gives you more flexibility to custom-tailor your images by performing colour grading in post-production. S-Log3 and S-Log2 gamma provide wide dynamic range shooting (1300%), to minimise blown highlights and crushed blacks.
While exposure may be more difficult to judge off the LCD and EVF, exposure zebras are available, indicating areas of overexposure using clear stripes on the image preview. An adjustable level lets you accurately dial in the ideal exposure for everything from skin tones to sunlit landscapes.
Timecode / User Bit
For professional workflows and multicamera editing requirements, standard SMPTE Timecode and User Bit can be included with your recordings. With embedded timecode, synchronising multiple cameras for editing is incredibly simple, while custom eight-digit User Bit codes allow fast indexing and media management on larger projects.
Up to 273 phase-detection focus points cover over 80% of the entire image area. This makes autofocus coverage widespread and dense enough to quickly capture subjects, such as fast-moving ones that are otherwise difficult to focus on.
Easily keep track of your focus areas with phase-detection AF frames around in-focus subjects. Switching between focus points is seamless as well, with a simple touch on the screen to select a new focus target.
Five levels of AF Subject Switching Sensitivity are available. The Responsive setting allows the camera to switch quickly among multiple subjects or focus points, while the Locked-On setting favours a single subject.
Adjustable Tracking Depth Range
Select an AF tracking depth configuration within a range from "1" to "5"—from the narrowest setting for relatively little movement, to the widest setting for relatively dynamic movement. This lets you take advantage of specific ways to track subjects according to your expressive intentions, subject movement, and shooting conditions.
The OLED electronic viewfinder allows for confident compositions. Its wide contrast and colour reproduction help accurately represent the image to be recorded.
The 3.5" touchscreen LCD panel provides a convenient way to monitor your compositions. Not only can the touch functionality be used for menu navigation, but focus points can be selected as well.
Manual Lens Ring
Using the switch on the side, the lens ring facilitates smooth and precise manual adjustment of either focus or zoom.
The manual dial and buttons on the side of the body allow for swift, easy adjustment of iris (aperture), gain/ISO, and shutter speed.
Built-In ND Filters
Choose among Clear, 1/4, 1/16 and 1/64 Neutral Density filters to adjust the light level entering the lens. This gives video makers the freedom to precisely control shutter speed and aperture for greater creative possibilities. Utilise the ND filters outdoors to open up the lens and create out-of-focus backgrounds.
Dual Memory Card Slots
Dual slots for SD card and SD card/Memory Stick support, with both simultaneous and relay recording. Use relay mode where long recording sessions need to span across both cards; for critical recordings, the simultaneous recording mode provides a backup for improved flexibility in client and production workflows.
The built-in LANC port allows connection to a LANC-compatible accessory, so you can control the camcorder remotely.
4K HDMI Output
Send clean 4K video to external monitors and even off-board recorders, or simply enjoy your recordings on a TV, with the HDMI output. The full-size (Type-A) HDMI terminal provides a more secure connection than commonly-found Mini or micro-HDMI terminals.
MI (Multi-Interface) Accessory Shoe
The MI Shoe is compatible with various general-purpose accessories, and further expands the camcorder's shooting capabilities in a range of situations.
|Sensor||1 x 1" CMOS|
|Sensor Resolution||Not Specified by Manufacturer|
|Effective Pixels||14.2 MP (16:9 Video)
14.2 MP (16:9 Photo)
12 MP (3:2 Photo)
|Focal Length||9.3 - 111.6mm|
|35mm-Equivalent Focal Length||29 - 348 at 16:9 (Video/Photo)
32.8 - 393.6 at 3:2 (Photo)
|Maximum Aperture||f/2.8 - f/4.5|
|Minimum Focusing Distance||1.0 cm|
|Angle of View||Not Specified by Manufacturer|
Clear Image Zoom: 18x 4K
Clear Image Zoom: 24x (in HD)
|Filter Size||62 mm|
|Built-In ND Filters||Clear, 1/4, 1/16, 1/64|
|Recording Media||Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo, SD/SDHC/SDXC|
|Video Format||3840 x 2160 at 24, 25, 30 fps (60, 100 Mb/s XAVC S)
1920 x 1080p at 100, 120 fps (60, 100 Mb/s XAVC S)
1920 x 1080p at 24, 25, 30, 50, 60 fps (16, 50 Mb/s XAVC S)
1280 x 720 at 24, 25, 30, 50, 60 fps (9 Mb/s XAVC S)
640 x 360 at 24, 25, 30, 50, 60 fps (3 Mb/s XAVC S)
1920 x 1080i at 50, 60 fps (17, 24 Mb/s AVCHD)
1440 x 1080i at 50, 60 fps (5 Mb/s AVCHD)
|Slow Motion Mode||1000 fps Recorded at 1920 x 1080p
960 fps Recorded at 1920 x 1080p
500 fps Recorded at 1920 x 1080p
480 fps Recorded at 1920 x 1080p
250 fps Recorded at 1920 x 1080p
240 fps Recorded at 1920 x 1080p
|Still Image Resolution||JPEG: 14.2 Megapixel, 5042 x 2824 (16:9)
JPEG: 12 Megapixel, 4240 x 2824 (3:2)
|Microphone Recording Angle||Not Specified by Manufacturer|
Dolby Digital 2ch
Dolby Digital AC3
|Sampling Frequency||Not Specified by Manufacturer|
|Bit Rate||Not Specified by Manufacturer|
|Resolution||Not Specified by Manufacturer|
|Rotation||Opening Angle: 90°
Turning Angle: 270°
|Shutter Speed||1/8 - 1/10000 Second (Video)|
|Photo ISO Range||Not Specified by Manufacturer|
|Video ISO Range||Not Specified by Manufacturer|
|Exposure Metering||Multi, Spot|
|Exposure Modes||Not Specified by Manufacturer|
|Interval Recording||Not Specified by Manufacturer|
|Self-Timer||Not Specified by Manufacturer|
|Remote Control||RMT-835 (Included)|
|Scene Modes||Preset: Yes|
|White Balance Modes||Auto
|Built-In Light/Flash||Light - No
Flash - No
|Accessory Shoe||1 x Multi Interface Shoe|
|Tripod Mount||Not Specified by Manufacturer|
|Inputs||1 x 1/8" (3.5 mm) Stereo Mini Jack Microphone
1 x LANC Terminal
|Outputs||1 x Composite Video (Requires separately available cable)
1 x 1/8" (3.5 mm) Stereo Mini Jack Headphone
|Menu Languages||Not Specified by Manufacturer|
|Battery||Rechargeable Lithium-Ion Battery Pack|
|Charging Method||AC Adapter|
|Charging Time||2.8 Hours|
|Power Adapter||Not Specified by Manufacturer|
|Power Consumption||In LCD Operation: 5.1 W
In Viewfinder Operation: 4.8 W
|Dimensions (W x H x D)||116.0 x 89.5 x 196.5 mm (Body Only)|
|Weight||935 g (With Eyecup and Lens Hood)|