How to claim your discount:
- Present copies of your student ID and enrolment letter for the current semester showing the institution and course to your local Rubber Monkey branch.
- Your application for the student discount will be reviewed & approved by the local Atomos distributor.
- On approval the product will be shipped to Rubber Monkey who will advise you when it is ready to be collected.
- N.B. Not in conjunction with any other offer.
The Atomos Shogun Studio 4K Monitor / Recorder combines two colour-calibrated 1920 x 1200 resolution displays with 4K video recording and edit-ready codecs in a 3RU chassis with removable rack mount ears. This configuration is well suited for live event, studio, and on-set DIT work. The Shogun Studio utilises 4K HDMI and 12G-SDI inputs to record clean output signals at resolutions up to UHD 4K (3840 x 2160) at 23.98, 24, 25, 29.97, and 30p, as well as Full HD (1920 x 1080) video up to 120 fps when used with capable cameras. The Shogun records 10-bit, 4:2:2 UHD 4K and HD video to Apple ProRes HQ, 422, or LT formats. It can also record HD video using Avid's DNxHD format and UHD 4K video using Avid's DNxHR. Video is recorded to single or raided 2.5" HDD and SDDs for fast and reliable write speeds.
** Please Note **
- For a list of compatible drives, please visit Atomos.com/drives
As a monitor, the Shogun features a 7" IPS capacitive touchscreen display with resolution of 1920 x 1200. It is Rec. 709 colour calibrated and supports multi-frequency operation (48/50/60 Hz) for monitoring of a variety of input frame rates. An SDI loop output is available for passing the signal to an additional monitor. As an added convenience, 4K signals can be internally down-converted and output in 1080p at the same frame rate.
The Shogun Studio supports Tally function, custom 3D LUTs, Genlock In for multi-camera syncing. There are also a variety of onscreen tools to help you set up your shots, including a full waveform monitor, RGB parade display, vectorscope, focus peaking, and framing, focus, and exposure assisting tools. With two slots, one for each monitor, for a master recording caddy, you can simultaneously record the signal being fed to each monitor.
Dual Monitors in a Rackmount Chassis
- The Shogun Studio instals two Shogun monitors in a 3 RU rackmount chassis, with removable rackmount ears. This configuration is suitable for live event, studio, on-set and Broadcast professionals.
Record UHD 4K & Raw Video
- Bypass your camera's internal compression and record UHD 4K (3840 x 2160) video to Apple ProRes over HDMI or 12G-SDI at 23.98, 24, 25, 29.97, or 30 fps. The 4K-capable HDMI input makes the Shogun particularly useful for recording 4K output signals from cameras such as the Sony a7S and Panasonic GH4.
1080p up to 120 fps
- Record up to 120 fps in Full HD (1920 x 1080) for high-resolution slow-motion shots.
10-Bit 4:2:2 Recording
- Record in 4:2:2 Apple ProRes or Avid DNxHD or DNxHR formats from your camera's uncompressed SDI or HDMI output, bypassing a round of internal compression and data loss. Uncompressed Cinema DNG Raw 4K video is also supported from capable cameras.
7" IPS Touchscreen Monitor with Rec. 709 Colour Calibration
- Each of the monitors incorporate a 7" IPS screen features a 1920 x 1200 resolution and provides a wide viewing-angle of 178° for easier off-axis monitoring. Each screen is calibrated to SMPTE Rec. 709 with 100% gamut and D65 white point, letting you monitor your colours with confidence. A standard Canon C-Log calibration is also available for use with Canon EOS Cinema cameras, so you won't have to look at flat, washed-out looking images on set. ON-the-fly re-calibration is available with the Atomos Spyder calibration tool, sold separately.
3D LUT Support
- You can preview looks on set thanks to the ability to load 3D LUTs onto the Shogun. Simply load Cube files on an SSD and access via the "Display Options" button on the home screen.
HDD or SSD Storage
- Record to single or raided 2.5" HDDs or SSDs for faster more reliable write speeds to manage 4K recording. A 2TB raided drive will give your over 5 hours of continuous 4K recording in 4K ProRes 422 HQ.
- The Shogun offers a comprehensive set of tools to help you set up, focus, and properly exposure your shots. These tools include a full waveform monitor, RGB parade display, luma overlay, vectorscope with zoom, and a test pattern generator for signal calibration. The monitor also provides focus peaking with multiple levels and colours, false colour in two modes, and fully adjustable zebra from 0 to 100%.
Supports Video Playback
- You can review what you'Voe shot thanks to in-device video playback. The touchscreen interface allows you to navigate clips and provides softkeys to play, pause, rewind, and stop footage. Additionally, the playback will display a preview frame of the selected clip in the file browser.
4K to HD Down-Conversion
- 4K signals can be internally down-converted and output at 1080p resolution in the same frame rate as the input. This enables secondary monitoring on an HD field monitor, or recording a lower resolution proxy copy to a second recording device
- Trigger record start/stop and record time code straight from the camera with Atomos' HDMI time code trigger protocols from Sony, Canon, and other cameras. Over SDI you have full support of all protocols. You also have control over file naming, for automatic backup and version control of your footage.
Note: The SDI trigger is manufacturer-specific - you will need to select your camera make from the menu to enable
Optional CFast Adapter
- Record to small, lightweight, and highly reliable CFast media cards using the optional SATA to CFast adaptor.
Create FCPX XML Projects
- Create Final Cut Pro X XML projects in the field so you are ready to edit straight away. Favourite/reject flags in the metadata let you quickly finding and uploading the best shots into FCPX or Adobe Premiere Pro.
- Lock to an external Genlock reference signal to synchronise the Shogun's SDI playout when using multi-camera setups.
- The Shogun lets you synchronise with your camera's time code. Record Run, Free Run, and Time-of-Day time codes are also available for independent external recording.
|Screen Size||Dual 7.1" capacitive touch panels|
|Resolution||1920 x 1200 |
|Screen Type||IPS LCD|
|Viewing Angle||179° with 100% sRGB colour accuracy|
|Colour Gamut||100% sRGB calibrated to Rec 709 with infinite 3D LUT conversion including BT-2020, DCI-P3|
|LUT Support||3D LUT in .CUBE format |
Internal Storage: 8 custom Luts
Upload from External: Unlimited
|LUT on Output||On screen |
Available to burn in to recorded clip
|Modes||Pre Roll |
HD: 8 seconds
4K: 2 seconds
4K to HD Downscale
Loop out and Playback
Trigger & Timcode for Record
LTC input and loop-through, SDI, HDMI, LANC, Timecode, Custom SDI
|Formats||4K-DCI: 24/25/30p |
4K-UHD: 24/25/30p, 1080p: 24/25/30/50/60/120
|Codecs||ProRes HQ, 422, LT |
DNxHR - HQX, HQ, SQ, LB
DNxHD - 220,145,36
HD Uncompressed V210
|File Type / Wrapper||.MOV |
|Pull Down||24/25/30pSF > 24/25/30p (2:2 pulldown) |
60i > 24p (3:2 pulldown)
|RAW Formats||C500 |
Arri to ProRes
|Resolutions from RAW||4K, UHD, HD: 120/60|
|Simultaneous Recording||4K ProRes & 2K/HD ProRes |
4K DNxHR & 2K/HD DNxHD
4K RAW & 2K/HD RAW
2 x 4K/2K/HD ProRes, DNxHR/HD & RAW
RAW to ProRes/DNxHR
|Convert or Duplicate Files||4K Avid to 4K ProRes |
2K/HD Avid to 2K/HD ProRes
4K ProRes to 2K/ProRes
4K ProRes to 2K/HD Avid
4K Avid to 2K ProRes
|Input||Per Monitor |
HDMI: 1x HDMI 1.4b up to 12-bit
SDI: 1 x 12G/6G/3G/HD
Timecode: LTC input and loop-through, SDI, HDMI, Internal REC Run, Time of Day, Auto Restart
Genlock Input for Playout: Black Burst, Tri-Level Sync
|Output||Per Monitor |
HDMI: 1 x HDMI (loop-through)
SDI: 1 x 12G/6G/3G/HD (loop-through)
Timecode: Loop-through, SDI, HDMI, Internal REC Run, Time of Day, Auto Restart
|Drive Slot||2 channels|
|Drive Type||Qualified 2.5" drives supplied in Master Caddy|
|Drive Format||exFAT |
|Hot Swap Support||Yes (between channels)|
|Control Type||AtomOS Capacitive Multi-Touch|
|Front Panel Buttons||Power: 2x (one per monitor) |
Screen Lock: 2x (one per monitor)
|Ethernet Control||Remote: Yes (AMP)|
|Scheduling||Yes: Rec / Play|
|Power||Dual Redundant Power Supplies: IEC c14 PSU FCC, COE, CCC UL, PSE (external Adaptor)|
|Operating Temperature||-22 to 104°F / -30 to 40°C|
|Rack Height||3 RU|
|Dimensions||19 x 5.2 x 8" / 482 x 132 x 202 mm|
|Weight||8.2 lb / 3.7 kg|