Cover an exceptionally broad range of focal lengths and camera setups with the Arles Zoom T2.6 FF Cine 2-Lens Bundle from DZOFilm. Together, these full-frame 25-75mm and 65-180mm lenses, available with ARRI PL and Canon EF mount compatibility, maintain a constant T2.6 maximum aperture throughout their zoom ranges while delivering the same immersive, painterly depth associated with the Arles prime lens series.
DZOFilm Arles Zoom 25-75mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
Cinematic, Painterly Look
Expanding the established Arles lineup of prime lenses, the Arles Zoom 25-75mm T2.6 FF Cine Lens from DZOFilm combines high optical quality with precise mechanical construction in a compact body. This full-frame zoom lens features a constant T2.6 maximum aperture, a 16-blade iris, soft and natural bokeh, ARRI PL and Canon EF mounts, and the same cinematic, painterly depth found in the Arles primes.
Wide Parfocal Zoom
The Arles 25-75mm zoom covers a highly practical focal length range with a 3x zoom ratio, maintaining a constant minimum focus distance of 51 cm and a maximum magnification of 0.23x at the telephoto end. When paired with the separately available Arles 65-180mm zoom, the two lenses overlap to provide an expansive 25-180mm range. Its parfocal design preserves focus throughout the zoom range, while matching gear positions and a similar form factor allow for fast lens swaps, even when using a matte box and lens control motors.
Large-Format Coverage
With a fast, constant T2.6 aperture from 25 to 75mm, this Arles zoom lens covers full-frame sensors up to a 43.5mm image circle, maximizing light transmission and helping create expansive, three-dimensional images with rich textural depth.
Painterly Rendering
A custom low-saturation blue coating gives the Arles zooms a modern tonal character while minimizing flares and ghosting. Their warm, natural color science produces lifelike skin tones that integrate easily within the broader DZOFilm ecosystem.
Interchangeable PL Mount
This ARRI PL-mount lens features a short rear flange design, allowing it to be used with a separately available Canon EF mount for compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. When used with Octopus adapters, autofocus adapters, or VND adapters, it can also be adapted smoothly to mirrorless systems including L-Mount, Canon RF, DJI DX, FUJI X, Nikon Z, and Sony E mounts.
Consistency Across Series
A 95mm outer diameter makes it easy to use a variety of matte boxes or filters in your camera setup. Each Arles zoom lens features a cine-style design with 0.8 MOD focus, iris, and zoom gears. The focus ring rotates 270°, and the iris ring rotates 100°, enabling precise manual control.
UPC
842463106574
DZOFilm Arles Zoom 65-180mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
Cinematic, Painterly Look
Expanding the established Arles lineup of prime lenses, the Arles Zoom 65-180mm T2.6 FF Cine Lens from DZOFilm combines high optical quality with precise mechanical construction in a compact body. This full-frame zoom lens features a constant T2.6 maximum aperture, a 16-blade iris, soft and natural bokeh, ARRI PL and Canon EF mounts, and the same cinematic, painterly depth found in the Arles primes.
Telephoto Parfocal Zoom
The Arles 65-180mm zoom covers a highly useful focal length range with a 2.8x zoom ratio, maintaining a constant minimum focus distance of 88.9 cm and a maximum magnification of 0.22x at the telephoto end. When paired with the separately available Arles 25-75mm zoom, the two lenses overlap to deliver a remarkably broad 25-180mm range. Its parfocal design preserves focus throughout the zoom range, while consistent gear placement and a similar size support quick lens changes, even when using a matte box and lens control motors.
Full-Frame Coverage
Maintaining a fast, constant T2.6 aperture from 65mm to 180mm, this Arles zoom lens covers full-frame sensors up to a 43.5mm image circle, maximizing light transmission and helping produce expansive, three-dimensional imagery with rich textural depth.
Painterly Rendering
A custom low-saturation blue coating gives the Arles zooms a modern tonal character while minimizing flares and ghosting. Their warm, natural color science produces lifelike skin tones that integrate easily within the broader DZOFilm ecosystem.
Interchangeable PL Mount
This ARRI PL-mount lens features a short rear flange design, allowing it to be used with a separately available Canon EF mount for compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. When used with Octopus adapters, autofocus adapters, or VND adapters, it can also be adapted smoothly to mirrorless systems including L-Mount, Canon RF, DJI DX, FUJI X, Nikon Z, and Sony E mounts.
Consistency Across Series
A 95mm outer diameter makes it easy to use a variety of matte boxes or filters in your camera setup. Each Arles zoom lens features a cine-style design with 0.8 MOD focus, iris, and zoom gears. The focus ring rotates 270°, and the iris ring rotates 100°, enabling precise manual control.
