Continuous Lighting
Ulanzi VIJIM VL120 RGB Video Light
- Dimmable Bi-Colour & RGB LED
- 2500-9000K Temperature Range
- 95+ CRI Rating
- 1250LUX/0.3m
- 20 Cinematic Effects Modes
Ulanzi VL110 Magnetic RGB Tube Light (24cm)
- Weight: 235g, Length: 24cm
- 2500K—9000K Colour Range
- 20 Scene Lighting Effects
- Connect up to 3 x Vl110 Lights
- USB-C Rechargeable
Ulanzi VL-49 Rechargeable Mini RGB Light (Black)
- Horizontal, Vertical & Magnet Mounting
- 2500 to 9000K Color Temperature
- Preset Color Modes, CRI 95+, 120° Angle
- Built-In 2000mAh Lithium-Ion Battery
- 3 x Shoe Mounts, 1 x Shoe Adapter
Ulanzi VL119 RGB Handheld Light Wand
- Rich Colours for Better Shots
- 360° full colour gamut, adjustable hue, saturation and brightness
- Suitable for shooting fill light and creating various atmospheres
- Colour temperature can be adjusted freely to match the ambient light, providing the main light or the auxiliary light
- Comes with 20 Dynamic Light Effects
- Equipped with a 1/4'' screw port, which can be connected to a tripod and a light stand
Aputure MC Pro RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 396 Lux at 1m (5600K)
- 2000-10,000K CCT; RGB Colour Control
- 4.2 x 2.7" Panel; 2-Hour Runtime Battery
- CRI 96 | TLCI 96 | CQS 95 | TM-30 Rf 94
- Onboard, DMX/RDM, CRMX & App Control
Smallrig Simorr P96 Video LED Light
- Colour Temperature: 2700-6500k
- 96 LED Beads,CRI>95
- Small Size, Easy to Carry
- Operating Life of 100 Minutes
Godox LEDP260C Bi-Colour LED Light Panel
- Colour Temperature Range: 3300-5600K.
- Dimming: 10-100%.
- CRI of 95, TLCI of 94.
- Wireless Adjustments via Remote (Sold Separately)
- On-Board Control with LCD Panel.
amaran 300c RGB Point-Source LED Light
- Redesigned Silent Active Cooling System
- Up to 26,580 lux @ 1m with Hyper Reflector
- Stepless Dimming from 0-100%
- 2,500K to 7,500K CCT with G/M Adjustment
- 360° HSI Full Color Control
-
90% of Colours Within Rec.2020 Color Space
SmallRig 4376 RC 60B COB LED Video Light
- Ready-for-use built-in battery
- Lightweight LED lighting
- High-quality 60W CCT
- Silent cooling fan
- Lightweight and portable
GVM 560AS Bi-Colour LED Studio Video 2-Panel Light Kit
- 2 x 560AS Bi-Colour LED Panels
- Colour Variation: 2300 to 6800K
amaran F22c RGBWW Flexible LED Mat (60 x 60cm)
- Colour Temperature 2500-7500K
- HSI Full Color Control
- Green-Magenta Adjustment
- 15-Built-In Lighting FX, 46 Gel Presets
- Softbox Frame with Two Diffusers & Grid
Ulanzi K20 Bi-Colour LED Key Light Panel
- For Content Creators and Vloggers
- 650 Lux at 0.5m, 5500K, 120° Beam
- 2500-9000K Stepless Colour Control
- Measures 26 x 17 x 1.8cm
- CRI: 90
Aputure LS 60d Daylight LED Focusing Flood Light
- 15 to 45° Adjustable Beam Angle
- Colour Temperature: 5500K, CRI/TLCI: 95
- 0-100% Adjustable Brightness
- Dual NP-F Battery Plate
- 8 Built-In Lighting Effects
Ulanzi i-Light Tube Light
- Handheld RGB Led Video Light
- Compact, Magnetic Design
- Pocket Sized, 10 cm
- Cinematic Effects Modes
- Integrated magnets for Mounting
Godox SL-60II LED Video Light with Stand & Softbox
- Colour Temperature: 5600K
- CRI 93, TLCI 95, R9 80
- Rear LCD and On-Board Adjustment Dial
amaran 150c RGB Point-Source LED Light
- Redesigned Silent Active Cooling System
- Up to 15,610 lux @ 1m with Hyper Reflector
- Stepless Dimming from 0-100%
- 2,500K to 7,500K CCT with G/M Adjustment
- 360° HSI Full Color Control
-
90% of Colours Within Rec.2020 Color Space
Viltrox L116T On-Camera Bi-Colour LED Light with LCD Display
- Soft Bi-Colour LED On-Camera Light
- 3300-5600K Colour Temperature, CRI 95
- 20-100% Dimming, 120° Beam Angle
- 987-Lumen Brightness
- LCD Status Display
amaran COB 60x S Bi-Colour LED Monolight
- For Video Production & Vlogging
- Output: 33,300 Lux @ 1m with Reflector
- 2700-6500K CCT
- AC or Battery Power
- Onboard & App Control
- CRI 96 | TLCI 97 | SSI 87
SmallRig RM120 Long-Battery-Life RGB Video Light
- 2500-8500K
- 5000mAh Battery
- Brightness, Hue & Saturation Adjustment
- USB-C Charging Cable
- 2x 1/4 "-20 Thread Holes
SmallRig P200 Bi-Colour LED Light Panel
- For Content Creators and Vloggers
- Output: 2000 Lux at 30cm
- 2500-6500K CCT
- 10 x 6.9"; USB-Powered/Optional Battery
- CRI 98 | TLCI 98
- Onboard Control
Weeylite RB9 Professional Photography Fill Light
- 2500 to 8500K Variable Colour Dial
- RGB Mode with Hue and Saturation
- 0 to 100% Brightness
- Four Lighting Modes to Choose From
- Integrated 3000mAh Lithium Battery
Ulanzi VIJIM VL66 360 Degree Rotating LED Video Light
- 3200 to 6500K Variable Colour Dial
- 66 LEDs, 3-Step Brightness Dial
- 360° Tilt/Rotation
- Built-In 2000mAh Rechargeable Battery
- Shoe Mount
Nanlite Forza 60B II Bi-Colour LED Monolight
- Film/Video Light & Battery Grip
- Output: 14,350 Lux at 1m w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
- Onboard, Wireless, DMX & App Control
- CRI 96 | TLCI 98
amaran COB 200x S Bi-Color LED Monolight
- For Video Production & Vlogging
- Output: 45,400 Lux @ 1m with Reflector
- 2700-6500K CCT
- AC Power or Optional Battery Station
- Onboard & App Control
- CRI 95 | TLCI 98 | SSI 89
Ulanzi VIJIM VL49 Mini RGB Video Light
- 2500 to 9000K Variable Colour Temperature
- 360-Colour RGB Mode, Rear Display
- Full 0 to 100% Dimming, 95+ CRI
- 2000mAh Lithium-Ion Battery
- USB Type-C Charging
amaran PT2c Colour LED Pixel Tube 2-Light Production Kit
- 8 Independently Controllable Pixels (LED Engines)
- Built-In 38.5Wh Lithium-Ion Battery
- Supports USB PD 20W Fast Charging
- 5-Sided Endcaps for Quick Positioning
- 3/8-16in Mounting Points on Each End Cap
- Advanced HSI with White Point CCT Control
amaran T2c RGBWW LED Tube Light with Battery Grip (60cm)
- 180° Beam Spread
- 2500-7500K Colour Temperature
- Full Minus to Full Plus Green
- HSI Full Colour Control
Ulanzi VL120 RGB LED Video Light (White)
- 2500-9000K Variable Colour Temperature
- 0-360° Colour Selection
- Full 0-100% Dimming
- 20 x Lighting Effect Modes
- Rechargeable 3100mAh Battery
amaran P60c Bi-Colour RGBWW LED Panel 3-Light Kit
- Three P60 Bicolour RGBWW Panels
- Softboxes with Grid, NP-F Battery Plates
- Variable Colour Temperature: 2500-7500K
- CRI: 95+, Full RGB Adjustments
- Hue, Saturation, Light Intensity Control
amaran P60x Bi-Colour LED Panel
- Softbox with Grid, NP-F Battery Plate
- Variable Color Temperature: 3200-6500K
- Sidus Link Control, 4 Special FX
- AC or Battery Power, Dimming: 0-100%
GVM Studio 2-Video Light Kit (2.1m)
- 2 x 800D-RGB Panels with Barndoors
- 2 x Soft Diffusers
- 2 x AC Adapters
- 2 x Light Stands (2.1m)
- 2 x Power Cables
Aputure MT Pro RGB LED Tube Light (30cm)
- For Photo, Video & Film Production
- Output: 159 Lux at 1m (5600K)
- 2000-10,000K CCT; RGB Mode
- Onboard, DMX, CRMX & App Control
- CRI 95 | TLCI 98
- 9 Special Effects & 7 Pixel Effects
amaran COB 60d S Daylight LED Monolight
- For Video Production & Vlogging
- Output: 37,800 Lux @ 1m with Reflector
- 5600K CCT
- AC or Battery Power
- Onboard & App Control
- CRI 96 | TLCI 99 | SSI 86
Ulanzi L2 RGB COB Video Light
- 65 Minutes Working Time at Full Output
- Portable and Mini Size
- 10 Kinds of Effects
- Stepless Dimming
- Strong Magnet
- LCD Display Screen
GVM G100W Bi-Colour LED Video Light with Lantern Softbox
- Bi-Colour LED Video Light G100W
- 26" Lantern Softbox, 120° Beam Spread
- Variable Colour: 3200 to 5600K, CRI: 97
- 0 to 99% Dimming
- Light Stand, Power Adapter, Cable
Aputure LS 600d Daylight LED Monolight (V-Mount)
- For Film, Broadcast and Video Production
- Output: 98,500 Lux at 1m w/ Reflector
- 5600K CCT
- AC or Battery Power
- Onboard, Wireless, DMX & App Control
- CRI 96 | TLCI 96 | CQS 94 | SSI 72
Ulanzi VL-200 Rechargeable Bi-Colour Video Light
- 2500 to 9000K Variable Colour Dial
- Shoe Adapter, 1/4"-20 Threads
- Dimming
- Built-In 5000mAh Battery
- USB Type-C Power Input
Ulanzi VIJIM VL120 Mini Pocket LED Light (3200 to 6500K, Black)
- 3200 to 6500K Variable Colour
- Compact & Slim Light, Black Body
- Dimming from 10 to 100% Brightness
- Silicone Diffuser Included
- Integrated Rechargeable Li-Ion Battery
GVM 800D-RGB LED Studio 3-Video Light Kit
- 3 x 800D-RGB Panels with Barndoors.
- 3 x Soft Diffusers.
- 3 x AC Adapters.
- 3 x Light Stands (2.1m).
- 3 x Power Cables.
Aputure LS 300x Bi-Colour LED Monolight (V-Mount)
- For Film, Broadcast and Video Production
- Output: 20,500 Lux at 1m w/ Reflector
- 2700-6500K CCT
- AC or Battery Power
- Onboard, Wireless, DMX & App Control
- CRI 96 | TLCI 96 | CQS 95 | SSI 85
Aputure LS 60x Bi-Colour LED Focusing Flood Light
- 15 to 45° Adjustable Beam Angle
- Colour Range: 2700~6500K, CRI/TLCI: 95
- 0-100% Adjustable Brightness
- Dual NP-F Battery Plate
- 9 Built-In Lighting Effects
SmallRig RC 220B COB Bi-Color LED Video Light (2700-6500K)
- High CRI Rating
- 9 Light Effects, 2700-6500K CCT
- Stepless Dimming, Quiet Fan Cooling
- Built-In Cooling Fan
- Bowens Mount for Accessories
GVM SD80D Bi-Colour LED Studio Video Spotlight with Softbox
- 8 Scene Modes
- APP Control
- Ultra-Quiet Design
- CCT Mode
- True Soft Light Source
- Rugged Construction
GVM SD80D 80W Bi-Color LED Video Light
- Two Power Supply Modes
- Natural Sunlight Performance
- Hight Power 80W
- CCT Mode
- 8 Scene Modes
- Rugged Construction And Practical Design
Nanlite Forza 300B II Bi-Colour LED Monolight
- For Studio & Film/TV Production
- Output: 68,060 Lux at 1m w/ Reflector
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
- Onboard, DMX & App Control
- CRI 96 | TLCI 97
amaran COB 100d S Daylight LED Monolight
- For Video Production & Vlogging
- Output: 34,600 Lux @ 1m with Reflector
- 5600K CCT
- AC Power or Optional Battery Station
- Onboard & App Control
- CRI 96 | TLCI 99 | SSI 86
Aputure INFINIBAR PB12 RGB LED Light Panel (1.2m)
- For Studio and Film/TV Production
- Output: 617 Lux at 1m (120º, 7500K)
- 2000 to 10,000K; RGB Colour Control
- 47.4 x 1.8" Panel; AC/DC Operation
- CRI 96 | TLCI 98 | SSI 74 | TM-30 94
- DMX, CRMX, and Sidus Link App Control
Ulanzi K22 Daylight LED Key Light with Clamp Stand and Remote Control
- For Content Creators and Vloggers
- 1100 Lux at 0.5m, 5500K, 120° Beam
- Colour: 5000K
- Measures 25 x 18 x 25cm
- CRI:95
- Wireless Remote Control, 30m Range
amaran 100d Daylight LED Monolight
- For Video Production and Vlogging
- Output: 39,500 Lux at 1m w/ Reflector
- 5600K CCT
- AC Power or Optional Battery Station
- Onboard & App Control
- CRI 95 | TLCI 95 | CQS 92 | SSI 72
Godox LR180 Daylight Ringlight (Black)
- 14.2" Diameter, 180 LEDs.
- 5600K Daylight Colour Temperature.
- Conveniently Dimmable.
- Includes AC Adapter.
- 1 x Smartphone Holder.
Using Continuous Lighting in the Studio
Continuous lighting is essential for extended photoshoots and video productions in studios. Unlike brief flashes, it provides a constant source of light to illuminate subjects and highlight their details. There are different types of continuous lighting available, each with its own unique features and benefits.
Cool and Efficient LED Lighting
LED lighting, including spotlights, is a popular choice for studio lighting. One advantage of LED lights is that they generate less heat compared to other lighting options. They remain cool even during long periods of use, making them energy-efficient. LED lights produce natural-looking daylight illumination, making them perfect for recorded footage. They come in sets and various models, such as Fresnel lights with specialized lenses for focused lighting, adjustable beam angle panels, and floodlights for large areas.
Warm and Natural Tungsten Lighting
Tungsten lighting, which uses tungsten bulbs, creates a warm and distinctive light. It offers a different color and look compared to other types of lighting. Tungsten lights are available in various forms, including floodlights and studio lighting with adjustable barn door openings. Some tungsten lights even have wooden handles that stay cool to the touch during operation, ensuring safety.
Glow of Fluorescents
Fluorescent lights are an affordable and easily replaceable option. They have a low light output, which makes them suitable for object photography and videography. They work well with softboxes and other lighting accessories often included in lighting kits.
HMI and Plasma Lights
For longer distance lighting needs, HMI and plasma lights are reliable choices. They have a greater throw distance compared to other lighting options, making them suitable for specific situations. HMI and plasma lights are energy-efficient and compatible with a range of fixtures. They can be kept off-camera easily and can safely operate on 20A circuits while providing impressive brightness. Their versatility makes them ideal for video production.
These various types of continuous lighting provide photographers and videographers with a range of options to suit their specific lighting needs in the studio. Whether it's LED, tungsten, fluorescent, or HMI and plasma lights, each type offers its own benefits and advantages for capturing stunning visuals.