Processors & Effects

• Variable high pass and low pass filters for "frequency conscious" gating
• Comprehensive envelope control, attack, hold, decay, and range
• Key input for external triggering
• "Key listen" facility
• Extremely fast attack time, to preserve the natural attack of the sound
• Balanced inputs and outputs

• Connect Keyboards or Samplers to Mixers
• Connect Musical Instruments to Mixers
• Extended Dynamic Range
• Midas Sound Quality
• Compact and Rugged Construction

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.

• Precise 10-segment LED meter for output level
• Servo-balanced inputs and outputs
• 1/4" TRS and gold-plated XLR connectors
• Relay-controlled hard bypass switch
• Rugged 2U rackmount chassis

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• 8 DSP Presets, 8 Samples, and 3-Band AEQ
• Vocal Tune, Voiceover, and Loop Back
• 3.5mm Mic Input with 5V Phantom Power
• 3.5mm Line Input and Output Jacks
• 3.5mm Headphone Port

• LivePod Plus Livestreaming Interface
• Condenser Mic, Earphones, Stands, Cables
• 8 DSP Presets, 8 Samples, and 3-Band AEQ
• Vocal Tune, Voice Over, and Loop Back
• 3.5mm Mic Input with 5V Phantom Power

• Compressor and Limiter
• Expander and Gate
• Five Segment LED Indicator Metres
• True RMS Convertor on Sidechain
• Linear or Logarithmic Release Curve

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Authentic recreation of SL 4000 B
• Design based on SSL Bus Compressor
• Feature Compressor/Limiter & Gate/Expander
• Feedback design with Peak sensing
• Fixed compression ratios
• Fixed release times

• SSL Highpass & Lowpass Filters
• Wet/Dry Mix Control

• Designed for the Rigours of Live Concert Touring
• Illuminated Switches
• Power Indicator LED’s
• Thick Aluminium Extrusion
• Tough Silicone Rubber Corners

• Amp & Cab Simulator in Pedal Form
• Combo, Stack & 4x12 Cab Settings
• Presence Switch to Add Highs
• 180° Polarity Reverse Switch
• Ground Lift Switch

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

• 32 Channels of Digital I/O for your H9000

• Rugged aluminum-extrusion chassis
• Dependable Neutrik XLR and locking EtherCon connectors
• Power over Ethernet (PoE) eliminates the need power supplies
• LED indicators let you keep an eye on network health and device functions

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• 2 channels
• 19 inch rack size

• Key Holder access only.
• Takes only minutes to install.
• Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations.
• Dual 16 segment Left/Right bargraphs for ’at a glance’ level metering.
• ’Protection’ processing 16 segment bargraph display.

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• Connect an Instrument to a Mic Input
• Converts Unbalanced to Balanced
• Converts High Impedance to Low Impedance
• 1/4" Unbalanced Input
• 1/4" Through Jack

• 12 dB/Octave Rolloff
• Stereo RCA Input and Outputs
• 50 Hz to 2.5 kHz Crossover Range
• Mono Sub Output
• External Power Supply for Low Noise Operation

• Dual Channel
• Passive
• 1/4" Mono, 1/8" Stereo and RCA Inputs
• Input Level Controls
• Ground Lift Switches